What connected them further, argued Kepes, was that both art and science were “image-making devices” which needed to visualize experiences. For György Kepes it was no accident that there was such a remarkable similarity between certain paintings and photographs and the images that had become visible through new optical technologies such as infrared and ultraviolet rays, microscopic and telescopic photography, X-rays and other radiation techniques. Both were looking for laws, such as pattern, structure, harmony, order or even disorder in natural and other phenomena.  source

From Language of Vision ![[Pasted image 20260327024947.png]] ![[Pasted image 20260327025159.png]] ![[Pasted image 20260327025417.png]] ![[Pasted image 20260327025456.png]]